In my experience more spiritual, i.e internal, benefits are to be had from holding poses longer.
##Some thoughts Regarding Ashtanga Vinyasa, a more Yang type of yoga## V
I’m inclined to view ashtanga vinyasa as potentailly awakening your Kundalini prematurely because it uses the bandhas,conscious ujjayi breath,one-pointedness of mind and drishtis all in one with rapid repetitive movemets (To me this can mitigate forcing or grasping). with potentially too powerful techniques that either won’t work or could run the risk of prematurely opening the nervous system when it’s not quite ready. I speak from experience here. An intro. to hatha yoga if that’s the case here would ideally i feel be better met by a a more alignement-based form of hatha yoga- something like iyengar or more meditative like sivananda but you might need to shop aroun and try out for size…a good idea… …
As far as i am aware i have heard that ashtanga vinyasa was originally invented to keep over-active young lads ,i.e teenagers pre-occupied who were less inclined to still the mind.i.e designed for teenagers but that is not to say it won’t suit someone who is much older, relatively fit and strong and has no existing muscolo-skeletal issues. The thing with ashtanga is it tends to overactivate pingala,same with surya namskara. If you don’t have a meditation practice in there to calm things down a bit it might not be good.Also another thing with AV i think it tends to aggrandize the ego and i think that’s been stated more than once here before.You might feel supercharged but the mind can still be unruly.Holding the poses longer if possible you seem to derive deeper benefits.
These are just some of my thoughts on ashtanga vinyasa. It might suit some folk but maybe not everyone. And this may contribute to newcomers being intro’d to this style and then not returning because the yoga perhaps did’nt work. Also if you lack flexibility the you might need to compensate with reasonable upper-body strength. But you never can tell though because you do see women that can do the arm-balancing manouevres and they don’t ncessarily have toned or strong uppers.Perhaps some folk then may have reasonable poise and concentration instead…
You’ll see all kinds of style labels banded about but alot can depend on the experience, skills and depth of training etc etc of the teacher.
If you are curious i would suggest you check out David Swenson’s online videos on U-Tube.He offers you a set of options depending on the individual for more diifficult manouvres.
There is something called Yin yoga that Sarah Powers and also Paul Grilley have developed.It’s meant to work on the deeper connective tissues and cartilage i think.
