[QUOTE=StillOne;79320]Yes I have taken note that you do not support the cutting of the tongue and I clearly see why by this previous comment. I’m in no position to have bias either way and will continue with my exercises without cutting to see how far I can go.[/QUOTE]
you can always decide to cut but you can not put it back. By the eay I need to clarify something.
As I write right now I can not put my tongue up behind the soft pallet.
Sounds like I have been writing a pack of lies right?
Wrong! when I write that energy flows in the tongue and flows in the soft pallet I am being very, very literal it feels like there is an etheric or magnetic envelope in the shape of those body parts that is in around and part of those parts and inside of that is a charged vibrating something I call energy.
Now while practicing Kriya these parts become very strongly energized and this causes the tongue to want to go straight up behind the soft pallet.
This causes the soft pallet to wrap arond the tongue.
The tongue then becomes supple in a way it normally is not the soft pallet becomes welcoming and allows the tonge in. Extrea lubrication forme to allow the tongue to slide and not stick.
The tongue touches the back of the throat, the soft pallet opens foreward creating a small hole between its edge and the back wall of the throat.
The tip of the tongue seeks the hole, then goes up then the tongue convulses as it contacts the uvula in an electric feeling the convulsion is a wave like motion of the tongue kind of like a moving serpent. not side to side but from root to tip and the tongue stabs upwards while at the same time the soft pallet opens and then closes shut around the base of the tongue.
The tip of the tongue touches the Frenulum connecting the nasal septum to the soft pallet above.
A circuit is closed and vibration, energy, magnetic nvelope feeling is felt and can spread over the whole body light is seen in The forehead subtle sounds are heard. The tongue often slides side to side tucking itself in the warm folds.
The tongue then slides up against the Nasal frenulum of the nasal septum both holes and the nasal Conche are felt on the underside of the tongue. The lingual frenulum and the nasal septums frenulum rub against each other and make pleasant contact.
By moving the tongue to the left or the right these two frenulums work togother to hold the tongue in place on either side.
In deep, Deep Kriya practice a suction of a kind forms and the tongue is drawn up even higher on the back of the skull opposite the nasal septum the tasting side of the tongue encounters a bump of some sort likely the area the pons is in then above thet there is an odd area with ridges of some sort not unlike the area women call the G-Spot in the vagina, I once knew a women with very pronounced ridges in that area that gave her great pleasure and this is what it reminds me of.
This ridged area is where I suspect the secretions emenate from that are called amrita.
As I develope more and can remain in constant contact with that area better I will report more.
So here we are this is why I oppose cutting, when the subtle body demands circuit closure the physical body complies. When it does not the physical body has no desire to do so.
Everything I have just described comes from the experience of living it in kriya yoga practice. What I have not described are the things that accompany the physical tongue placement.
These things make a fool of language and must be experienced in the proper time.
Does this make me a somebody? No I am still a nobody and thats best of all. My time for Kriya with kecari is now, my heart felt duty is to share what I have come to know. Above all when the time is right nothing can stop it, when the time is wrong nothing can make it happen.
Alter your body with a lingual circumcision and you may never know what you are missing, by taking the short and easy path.
I think this is right because everything keeps getting better and better as I grow more accustomed to things that are wonderful and impossible to describe but it is a gradual awakening a gradual coming to know of an infinatly finer and finer harmonies vibrations and textures of finer realities heretofore only perceived in the roughest of ways.
So I say all in good time otherwise you may not be able to perceive correctly or miss out altogother.
I only know for certain what I am experiencing and it keeps changing becoming more and more refined.